Hello and welcome to my photography blog. I’m a documentary photographer and writer from Manchester in the UK. You can email me at: email@example.com or watch a short film or three here on vimeo and you can read my own publications here at Issuu.
… for one night only – Doors open 6:30pm. Talk from 7 to 8:30pm. Free, but you must book. Centre for Contempory Chinese Art, Thomas Street, M4 1EU.
I’m giving a talk and showing my photos at RedEye, the photography network about ‘Satire and the Image of the City’ on Tuesday 9 October from 7 to 8:30pm at Centre for Chinese Contemporary Art Manchester on Thomas Street in the Northern Quarter. It’s free, but you have to book in advance. According to RedEye I’ll be talking about how:
“The image of Manchester has been accurately represented visually over the years by the likes of local stalwarts Samuel Coulthurst or Kevin Cummins. In times of political and social flux, a rather more acerbic, satirical identity has been required, and Photographer David Dunnico is one of the people to have picked up that baton”.
As well as showing photos of (closed) public toilets and statues with cones on their heads, you’ll have a vision of a project called ‘In God We Trust’ and a sneak peek of my next exhibition, which is about the Union Jack. It’ll be held next year just in time for Brexit – and if you voted Leave, you’re probably not going to like it and probably won’t get the jokes).
Not only that, but I’ll show you round Mark Page’s Sodley-on-Sea – his imaginary seaside town, which he builds from images nicked off the internet, builds as dioramas, photographs and then destroys.
Anyway, to get you in the mood, you can read what I wrote a few years ago about the Manchester ‘Shopping Riots’ for ‘Now Then Manchester’ magazine…
I’m happy to have a picture in Stockport War Memorial Art Gallery’s Open Exhibition which is on until 6 September. The picture is called ‘Iconoclastic’. The decaying portrait bust of Lenin was outside what had become a casino in Prague, capital of the Czech Republic, in 2004. The background of the flag was created in PhotoShop. I suppose getting a picture in Stockport makes it my hat-trick in this year’s round of open art exhibitions, after Sale Waterside and Salford Museum and Art Gallery.
I’m very pleased to have two photographs in the first ever Salford Museum and Art Gallery Open Exhibition, which runs until Sunday 11 November 2018, which is an appropriate date, being the 100th anniversary of the end of the First World War and one of my pictures being of the Cenotaph.
The other picture I’ve got in the exhibition was also shown earlier in the year at the Sale Waterside Open Exhibition.
Coffin drape ‘All That Is Solid Melts Into Air / Marx & Engels’. Woven polyester, 290cm x 150cm.
A national commemoration was held today in Manchester to mark the first anniversary of the suicide bombing, which killed 22 people at a pop concert being held at Manchester Arena. I photographed the city centre the morning after the attack. Here are some photographs from today.
A couple of my short videos (including at least one getting its world premiere) will be in the 7th edition of the Subliminal Review, which lands next Wednesday (16 May 2018) at its new venue.
This is a piece I’ve got in an exhibition at The People’s History Museum, which opens next month…
‘WHAT IF VOTING CHANGED EVERYTHING?’
Ballot box that shreds votes as they are cast
45 x 30 x 30 cm, clear acrylic, paper, plastic, metal
© David Dunnico 2018
American Anarchist Emma Goldman was credited with saying: “If voting changed anything they would make it illegal”.
For 100 years, since the Representation of the People Act gave most men and some women the right to vote, people have been questioning if having the vote is the same as having political power. Today, with globalisation, people are asking how much power national governments really have.
But the surprising result of the Brexit vote in the UK, and the unexpected election of Trump in the USA, mean relatively small numbers of votes may have changed everything.
I’ve got a picture included in the Waterside Arts Open Exhibition which runs from 15 March to Saturday 19 May 2018 – It’s called Open/Close, Up/Down and looks like this:
Err… Or this:
Because it’s a lenticular print (one of those 3-D things that appear to move as you move, which you used to get inside boxes of cereal). So it actually looks like this:
Only you can’t see it like that in the gallery because it’s stuck to a wall – You have to do the moving to watch Helen’s eyes open and close – Which is where it gets weird and wobbly as you have to contort yourself and squint to see her face – This is because the two images do not exactly overlap one another and rather than the lenses that make a lenticular image work running from top to bottom as you’d expect, they run horizontally. All of which may or may not explain why the piece is called Open/Close, Up/Down and will hopefully baffle people into contortions, or move them quickly on to another piece.
I entered three pieces into the exhibition, naturally, this was the ‘filler’ and the other two pieces were rejected. The 2018 Open is the sixth time Waterside have run the exhibition and the third (I think) time I’ve entered. I had a sound installation in it four(?) years ago called 100 Breaths Per Minute, which goes like this: