Hello and welcome to my photography blog. I’m a documentary photographer and writer from Manchester in the UK. You can email me at: email@example.com or watch a short film or three here on vimeo and you can read my own publications here at Issuu.
A lot of the stuff I do is about memorialisation, or silence, and this is a piece that combines both. Now all the World War I centeinery commemorations are over (although the war didn’t formally end until 1919) it might be easier to look more dispassionately at how and why we remember in the way we do.
This piece is a 900 x 600mm x 15mm laser etched Perspex panel, it looks at first glance like a brass memorial plaque, but the words are not names of the dead, but quotations about possible meanings of silence.
I’m having an “open” sort of year – Just finished this piece (of artyness) accepted for the Wigan Open Exhibition which errr opens today (Friday 16 Novemeber) and runs until 15 December. It’s called (to save you trying to read backwards) “Real Special Double Warp Superfine Wigan” (you can see why I thought it was worth a punt for the Wigan show). Anyway, if you get chance to see it, take The Road To Wigan Pier (see what I did there?).
Well as it is Halloween…
Earlier this year, I finally got round to finishing my tour around London’s seven private Victorian cemeteries.
They were established over a decade, starting with Kensal Green in 1832 and culminating in Tower Hamlets in 1841. Before then, most of London’s dead were buried in overcrowded church yards, causing a massive health problem as corpses were piled one on top of another, leaking into the water system.
George Frederick Carden (1798- 1874) was an English barrister, magazine editor and businessman, and was credited with the development of these ‘garden cemeteries’ after visiting Père Lachaise Cemetery in Paris (which is the place that first got me interested in the subject).
Being run as profit making concerns, they ran into a problem – People paid a one-off burial fee and the company was left with the costs of upkeep. Eventually they went bankrupt, the local councils were given them and they were neglected and largely ignored.
Around the 1960s, people began to appreciate the picturesque decay and although they are all still used as cemeteries, they have become tourist attractions.
Visiting Pere Lachaise was one of the main sources of photos for my exhibition ‘Memento Mori’, which was shown at Salford Museum and Art Gallery in 2007 to mark the 150th anniversary of Salford’s municipal cemeteries.
This is the video that went with the exhibiton: https://vimeo.com/4263944
… for one night only – Doors open 6:30pm. Talk from 7 to 8:30pm. Free, but you must book. Centre for Contempory Chinese Art, Thomas Street, M4 1EU.
I’m giving a talk and showing my photos at RedEye, the photography network about ‘Satire and the Image of the City’ on Tuesday 9 October from 7 to 8:30pm at Centre for Chinese Contemporary Art Manchester on Thomas Street in the Northern Quarter. It’s free, but you have to book in advance. According to RedEye I’ll be talking about how:
“The image of Manchester has been accurately represented visually over the years by the likes of local stalwarts Samuel Coulthurst or Kevin Cummins. In times of political and social flux, a rather more acerbic, satirical identity has been required, and Photographer David Dunnico is one of the people to have picked up that baton”.
As well as showing photos of (closed) public toilets and statues with cones on their heads, you’ll have a vision of a project called ‘In God We Trust’ and a sneak peek of my next exhibition, which is about the Union Jack. It’ll be held next year just in time for Brexit – and if you voted Leave, you’re probably not going to like it and probably won’t get the jokes).
Not only that, but I’ll show you round Mark Page’s Sodley-on-Sea – his imaginary seaside town, which he builds from images nicked off the internet, builds as dioramas, photographs and then destroys.
Anyway, to get you in the mood, you can read what I wrote a few years ago about the Manchester ‘Shopping Riots’ for ‘Now Then Manchester’ magazine…
I’m happy to have a picture in Stockport War Memorial Art Gallery’s Open Exhibition which is on until 6 September. The picture is called ‘Iconoclastic’. The decaying portrait bust of Lenin was outside what had become a casino in Prague, capital of the Czech Republic, in 2004. The background of the flag was created in PhotoShop. I suppose getting a picture in Stockport makes it my hat-trick in this year’s round of open art exhibitions, after Sale Waterside and Salford Museum and Art Gallery.
I’m very pleased to have two photographs in the first ever Salford Museum and Art Gallery Open Exhibition, which runs until Sunday 11 November 2018, which is an appropriate date, being the 100th anniversary of the end of the First World War and one of my pictures being of the Cenotaph.
The other picture I’ve got in the exhibition was also shown earlier in the year at the Sale Waterside Open Exhibition.
Coffin drape ‘All That Is Solid Melts Into Air / Marx & Engels’. Woven polyester, 290cm x 150cm.
A national commemoration was held today in Manchester to mark the first anniversary of the suicide bombing, which killed 22 people at a pop concert being held at Manchester Arena. I photographed the city centre the morning after the attack. Here are some photographs from today.